(Photo:queenieau.com)Elegant and alluring, Katrina Kaif always sets hearts racing towards her ethereal beauty. The actress has a certain charm that makes you fall in love with her individualistic style quotient. From comfy casuals to flowy dresses, the actress has been inspiring us to tackle summer’s soaring temperature in style with her outfits during Jagga Jasoos promotions. However, it’s not just her taste in fashion that leaves people stumped, her hairstyles leave a wisp of magic on style connoisseurs too.
Wavy, curly, frizzy or straight, the 33-year-old actress has donned different styles and pulled them off with a natural flair. If you want to take inspiration from her, steal a glance at some of the haircuts and hairstyles that she carried off with utmost perfection.
NATURALLY WAVY HAIR
Most people hate their hair when it’s all frizzy and wavy, but Kaif carries it with a totally different edge and makes it look cool. But, if you have straight hair, and you want to experiment a little, you could get the same look by curling it or using huge rollers. And, if there’s a slight breeze outside, it will add oomph to your style.
MESSY CURLY BUN
Try this look with an evening party gown and let your hair speak for themselves. All you need to do is to take your messy tresses and part them at the sides. Twist your hair and tie them up. You could also go for this hairstyle when you just feel like staying indoors or laze around in your casuals.
Kaif has created quite a trademark style with bangs in the layered haircut. Straight hair or curly, both work quite well with the hairstyle.
Kaif’s look from New York created quite a trend, and her hairstyle stood out the most, especially for college-going girls. Gleaming in red streaks, her hair had slight curls and waves to it which made it look attractive and easy-going at the same time.
After she starred in the 2009 film Ajab Prem Ki Ghazab Kahaani, Kaif’s hairstyle became the talk of the town and her sweet innocent look skipped many heartbeats. And, if you love accessorising with hairbands, the actress’ hairstyle is the best way to take inspiration!
FLORAL SIDE BRAID
Kaif always looks like a princess whenever she dresses up in a ball gown. And, if you want the same look, you could add zing to it with her popular side braid style. Braid your hair to one side and let a little puff accent it. Adorn your hair with daisies!
Set for release, Kaif’s ponytail in Jagga Jasoos is also making waves along with the movie’s trailer. All you need to do is to tie your hair and leave a few strands loose at the front. The look is perfect if you don’t like to make a lot of effort to set your hair.Read more at:bridesmaid dresses online
(Photo:cheap formal dresses online)Gwendoline Christie’s role as androgynous warrior Brienne of Tarth in hit show Game of Thrones has helped the statuesque actress accept her own issues with her body.
The actress built up her already impressive physique to take on the character, who is described in the books by George R. R. Martin as being ”ugly” and ”unfeminine”. Brienne is bullied throughout the hit show, and playing her, admitted Gwendoline, brought back unpleasant memories of being subjected to criticism of her own appearance for the 6ft 3 inch star.
In an interview with Newsweek International, she revealed that accepting the role forced her to deal with her hang-ups about her appearance.
”I remember when I had my hair cut off and put armour on, I completely changed the way I looked,” she explained to the publication. ”I knew I had to overcome the things I was uncomfortable with, like my androgyny, my height, my physical strength, feeling like an outsider.”
In fact, it was the character’s power and androgyny that attracted her to the role. The 38-year-old blonde subsequently found self-acceptance playing the Amazonian warrior, adding 28 pounds of muscle to her physique as well as learning to fight with swords and ride horses in the career-making role to embody the character of Brienne on the HBO show, which kicks off its penultimate season on 16 July (17).
It was an ambition realised for the actress who as a youngster didn’t understand why women had the ”boring parts” in movies.
”I didn’t understand why women had to be submissive. I didn’t understand the relationship between virgin or whore, mother or sex object,” she smiled.
Since finding fame on the small screen, Gwendoline has gone on to star as Commander Lyme in The Hunger Games: Mockingjay – Part 2 and the villain Captain Phasma in Star Wars: The Force Awakens.
She can next be seen in the second season of Jane Campion’s Top of the Lake.Read more at:formal dresses online
(Photo:formal dresses adelaide)London-based boutique Browns is teaming with Rosie Assoulin on an exclusive summer capsule, which marks the first time the designer has created beachwear or resortwear.
The laid-back collection includes key pieces from Assoulin’s summer range re-created using brighter colors and lighter fabrics, such as chambray, cotton or linen. The range also includes new styles that are exclusive to Browns and swimwear ranging playful ruffle-trimmed bikinis to elegant navy one-pieces.
“The pieces really just encompass what summer is all about; having fun and enjoying life’s bounty. We also wanted to make a weekend vacation wardrobe for the urban woman. What can she throw in the duffel and wear back to work on Monday morning?” said the designer, adding that she was drawn to the sophisticated yet “fresh and fun” aesthetic, Browns is known for.
Some of the highlights in the collection include a bold, red pleated skirt; a gingham midi dress, and a straw bag and hat. Prices range from 540 pounds or $695 for the swimwear pieces to 2,710 pounds or $3,491 for a gingham ruffle dress.
The line will launch on Browns’ web site on July 19 and will coincide with the drop of a number of high summer collections from resortwear labels such as Zimmermann, Kiini and Lisa Marie Fernandez. They aim is for them to land in-store during mid-summer to avoid early markdowns.
Browns’ buying director Ida Petersson said Assoulin resonated with the retailer, as her aesthetic offers a point of difference to what is already available in the resort market.
“When we looked at opportunities within beachwear, Rosie felt like a natural partner. The aesthetic of her line lends itself beautifully to a more sophisticated take on resortwear, which is what we wanted this capsule to portray. We are particularly excited about the swimwear portion of the capsule — a first for Rosie. The appeal of this capsule is universal as it has such versatility. A lot of the pieces can be worn in the city on a hot summer day which to me is what the perfect beach capsule is all about; effortlessly chic no matter where in the world you may be.”Read more at:QueenieAu
We hear a lot of talk about gender these days. Terms like gender-bender, transgender, gender equality, and gender norms are commonplace. Compared to conversations that took place just a decade ago, we can easily see a shift in public opinion and conversation when it comes to gender. The stereotypical male and female from the fifties is a thing of the past, and one can only guess how what was seen as a gender norm will hold up in future generations. If the fashion industry has anything to say about it, there will be no gender norms when it comes to the wardrobe choices humans adorn themselves with.
Fashion for both men and women is radically changing. While it may have been a revolutionary act for actresses like Marlene Dietrich or Katherine Hepburn to don trousers in the thirties, seeing men wear dresses, blouses, skirts, or lingerie in the new millennium shocks, stuns, and offends many. While female celebrities have broken the barrier and have worn clothes typically associated as male attire for approximately a century, the wall is just now coming down for men’s clothing. Male celebrities such as David Bowie, Kanye West, Jared Leto, Jaden Smith, Kurt Cobain, Brad Pitt, R. Kelly, Chris Brown, Marc Jacobs, Vin Diesel, and Mos Def have all been photographed wearing dresses. For some, public opinion regarding their sexuality suffered for it.
There’s a growing trend in menswear with more floral patterns, ruffles, lace, and fabrics traditionally associated with feminine styles gracing men’s runway pieces. Beyond material choices, many designers such as Palomo Spain, Vivienne Westwood, Vejas, and more are embracing gender-bending or gender neutral styles. Fashion has always been about creativity, pushing the envelope, and thinking outside of the norm, and today’s fashion show is taking gender to a new place. Ironically, many ancient styles of dress included tunics or togas that were worn by both sexes, yet it has taken centuries to blur the gender lines that have delineated clothing choices far too long.
Many people in society seem to be uncomfortable when they see men wearing skirts, dresses, or other attire designated as feminine. The sight of men or boys in feminine clothes makes people ask questions that they may feel uncomfortable asking.
First, when people bend gender roles, the question that is left is what is gender exactly. Is someone less of a man if he wears a dress? The same question was asked about women who wore pants. Gender-bending is happening on a more public and prevalent level than ever before, and many are simply uncomfortable with it. Some find it sinful to wear clothes associated with the opposite gender based upon religious beliefs and the scriptures they were raised to believe.
Do clothes really define sexuality or gender? Will wearing pants or a dress make someone less of their gender or if you wear clothes that were assigned to your gender do you become more masculine or feminine? In a world where more gender confirmation surgeries are taking place than ever before, how does clothing fit in? Many trans people describe the personal level of discomfort they had from wearing clothes associated with the gender they were born with How would gender neutral clothes help those who are trans? If clothes were no longer associated with a gender, would many issues regarding gender simply resolve?
Society is dictated by fashion and in nearly every aspect of public life, people are expected to dress in a way others deem as appropriate. There is no question that the world of fashion has always found society’s limits, tested them, and then moved the boundary line even further. If fashion has its way, there will no longer be gender-appropriate clothing.
What are your thoughts about that? What do you think when you see male celebrities wearing skirts or dresses? Is your first thought to question their sexuality? Do you feel men who wear dresses are less masculine than their male counterparts who dress in stereotypical menswear?Read more at:www.queenieau.com | semi formal dresses
(Photo:formal dresses)Created by the Los Angeles County Museum of Art, “Reigning Men: Fashion in Menswear,” is showing in St. Louis – the second and only other planned stop in the U.S., aside from L.A.
The exhibition examines the kind of men who wore certain clothing as well as the clothing itself and the culture in which it was worn.
It’s thematically organized into five galleries beginning with “Revolution/Evolution.” A big part of that gallery focuses on the French Revolution.
“It was kind of the democratization of fashion to some degree,” said Genny Cortinovis, assistant curator of decorative arts and design at the Saint Louis Art Museum. “There was obviously a breakdown of class at that period in time too so a lot of the constraints that you would see prior to that did not exist after that.”
The “Revolution/Evolution” gallery further highlights the degree to which cultural, political and social events have impacted fashion. It also includes aspects of youth and rebellion – youth culture, dance and music.
To that end, one of the rarest pieces featured in the entire exhibition is a zoot suit.
“It’s a really exaggerated version of the iconic zoot suit, which is this generally kind of wool, often times striped suit that was worn in the dance halls in the 1930s and 40s,” Cortinovis said. “It was often times worn by African-Americans, Chicanos and immigrant groups and was associated with youth and rebellion of the period.”
The second and third galleries are “East/West” and “Uniformity,” respectively.
“East/West” demonstrates how various international cultural exchanges have influenced materials and fashion.
“Uniformity,” the largest of the five galleries, considers various “uniforms” and includes five subthemes that include military and workwear.
Cortinovis said the most provocative gallery is “Body Consciousness.”
“This is asking us to kind of challenge our idea that men have not been preoccupied with modifying or perfecting their bodies, either through tailoring, molding, cinching … padding or through diet and exercise so that they wear skimpy swimsuits and even thongs,” she said.
The gallery is replete with a pair of resplendent thongs, a demonstration of how men’s swimwear has changed over time.
Though, on a more serious note, “Body Consciousness” considers how the conception of the “ideal” male body has evolved.
“In the 18th century the ideal silhouette for a man was really more pear shaped – it was to kind of show that you had a nice round belly to show what a great dinner you could eat,” Cortinovis said.
“In the 19th century it becomes much more hourglass, that’s the kind of dandy look and that’s where tailoring comes in.
“In the 20th century it’s much more about the athletic look, maybe something we might associate with Olympians or even male models – a kind of triangular-shaped physique,” she said.Read more at:formal wear sydney
Indian designers like Meera Mahadevia, Priyadarshini Rao, Gaurav Jai Gupta and more are excited to showcase the Indian textile and craftsmanship in a contemporary way at the forthcoming Collection Première Moscow (CPM), a fashion trade fair in eastern Europe.
The Trade Promotion Council of India (TPCI) with the support of the Ministry of Commerce and Industry is organising the India Pavilion at the CPM. The trade fair will be held between August 30-September 2 here and Indian designers can’t wait to show how Indian textiles and craftsmanship can appeal globally.
Some of the designers spoke to IANS and shared how they plan to take the rich Indian textiles onto an international platform. Designer Gaurav Jai Gupta, who has a brand named Akaaro, said, ”Akaaro is the continuously growing and evolving voice of contemporary Indian fashion.
It interprets Indian textile in a fresh, new contemporary manner by drawing inspiration, not from tradition, but from harmony and balance; handcrafting each garment from yarn to a finished piece of clothing.
”Our line for Collection Premier Moscow is all hand-woven in-house. We have worked on new contemporary blends of cotton, silk and metal, resulting in interesting new textures.”
Priyadarshini Rao, who has completed 20 years in the fashion industry, focuses on women who have refined their fashion taste to embrace what is considered to be more contemporary and modern, amalgamating their Indianness with a broader view of the world.
Talking about her line, she said: We are using new age Indian fabrics like modals, viscose and fine Khadi cottons with various surface textures for our line being shown at CPM. The prints and the detailing are vintage India, but the silhouettes are contemporary and global.
”We hope the stores enjoy the mix of the Indian colours and prints on fluid shapes that can become great luxury pieces in the wardrobe,” she told IANS.
Designer Tanieya Khanuja, whose creations are worn by celebrities like Sonakshi Sinha and Parineeti Chopra, will also present a collection which has more global acceptance in terms of style and silhouettes by using Indian textiles and Indian craftsmanship.
”Thereby, it will be a modern take of Indian handlooms on Russian culture,” she siad. Another brand 431-88 by Shweta Kapur is equally excited to showcase her designs as she feels that her label for the Indian woman who embraces her femininity with an allusion of a sporty style will have an international appeal.
It’s not just apparels but Indianness that can be seen with accessories too and Meera Mahadevia is one such case. ”India has a very rich textile heritage and diverse craftsmanship. At Meera Mahadevia, every bag is detailed to fine precision using the most artistic manufacturing tool of all times – the human hand.
”Our creations would match some of the remarkable and ingenious invention of Russian craftsmen and appeal to the artistic and creative inclination of the market,” Mahadevia siad. The CPM usually witnesses a footfall of over 21,000 trade visitors and participation of 700 international exhibitors from 29 countries, exhibiting nearly 990 collections.
The current trade in textiles between India and Russia stands at $161 million, but has the potential to reach more than $1 billion,” said JK Dadu, Additional Secretary, Union Ministry of Textiles, while speaking at the Textiles India 2017 in Gandhinagar last week.
Major countries participating at CPM include Austria, Belgium, China, Croatia, Denmark, Egypt, Finland, France, Germany, Greece, India, Indonesia, Ireland, Italy, Japan, Latvia, Netherlands, Poland, Romania, Russia, Serbia, Spain, Turkey, Ukraine, Britain and the US.Read more at:celebrity dresses | semi formal dresses
Shillong-based fashion designer Daniel Syiem showcased the Eri Silk or Ryndia in what was India’s first ever Mega Textiles Trade Fair, held at Mahatama Mandir, Gandhinagar on June 30.
The three-day event was inaugurated by Prime Minister Narendra Modi.
The event was the first ever global B2B textiles event in India, showcasing “the strength of the value chain” in the country, an inspiration from the vision of the Prime Minister -“From Farm to Fibre, Fibre to Factory, Factory to Fashion to Foreign Exports”.
Smriti Irani, Union Minister of Textiles, was also present at the mega event.
The event was a celebration of Indian textiles, marking its growth.
It showcased the evolution of heritage handlooms, cotton and handicraft. Part of it was showcasing the rich legacy of the Indian silk.
Daniel Syiem once again “blended fashion and style with the traditional cloth”, contributing to the continuous evolution of the Ryndia.
Syiem, represented Meghalaya showcasing the rich heritage of the Eri Silk.
The Ryndia was showcased in its various designs in the ‘Symphony of Weaves’, a fashion show by the IMG Reliance industries ltd., which was a part of the mega event.
Like in New York, London, Milan and similarly in the Northeast Fashion Fest, Delhi in 2013 and in the Lakme Fashion Week, 2013, the Ryndia found its place on a common platform with the works of the leading designers such as Manish Malhotra, Wendell Rodricks, Rina Dhaka, Tarun Tahiliani, Rohit Bal, Sabyasachi and Manish Arora.
The first ever Mega Textiles of India, particularly the “Symphony of Weaves”, brought together the leading designers of the country to celebrate the evolution and richness of Indian Textiles.Read more at:formal dresses melbourne | queenieau.com
Cancer wellness center Candy’s Place is preparing for its eighth annual fashion show and luncheon at 11 a.m. Sunday, July 16, at The Woodlands Inn.
Founded in 1998, Candy’s Place is where patients, caregivers, widows and widowers can receive free physical and emotional support through therapy groups, educational workshops, massages and more.
The Forty Fort non-profit relies on donations and fundraising, and the fashion show is one of its largest annual fundraisers. The 14 models, both men and women, who are set to walk the runway are all patients from the facility — those in remission, survivors and those still undergoing treatment.
“We reached out to them and asked … once they agree, we get some background on them, what kind of cancer they have and we look up what ribbon color it is,” explained Kaitlyn Dunbar, the organization’s marketing and communications representative.
Local stores in the Wilkes-Barre and Kingston area will donate an outfit for each model to wear. The clothes will coordinate with their ribbon color. The models will also get their hair and makeup done.
One of the runway walkers will be Audrey Brozena, a survivor of stage four renal cell carcinoma that metastasized to her lungs. She opted for an aggressive treatment but still faced only a 7 percent chance of being cured, she said.
After her treatment ended and she was no longer receiving the organization’s services, Brozena began volunteering at Candy’s Place.
“I decided to give back,” she explained. “It’s a great organization. There are so many services available … it’s a wonderful resource, and I don’t know if everybody that’s in the area realizes the treasure we have here.”
She attended the annual event last year, and agreed to get involved when she was approached.
“I went and had my outfit picked out, and I’m really looking forward to it,” she said.
Dunbar stated that one of the goals is to bring awareness to the many different types of cancer.
“You don’t hear about all of them. You hear about the common ones … breast cancer, lung cancer … but there’s so many more in between and we want to get that out there so that people understand,” she said.
“Another thing that’s really important is to make patients feel comfortable and beautiful in their own skin, because they are going through a very long haul and a very hard process,” Dunbar added. “This day is really all about them and making them feel special.”Read more at:bridesmaid dresses | formal dresses
(Photo:formal dresses)Going beyond the literary world, the eighth edition of Mountain Echoes Literary Festival will showcase collections by Bhutanese and Indian designers reflecting the textile heritage of both nations.
The stories from the world of fashion will take centre stage at the literary, arts and cultural festival, which will be held in Thimphu from August 24-27, read a statement.
Fashion will be one of the key themes at this year’s edition of the Mountain Echoes literary festival.
Designers from across Bhutan and India will come together to curate collections which intersperse their nation’s textile heritage with contemporary fashion, with the aim to build a common thread between the two countries and their shared cultures.
With celebrated names such as Chandrika Tamang and Chimmi Choden from Bhutan and designer duo Abraham & Thakore (David Abraham and Rakesh Thakore) from India, the festival will give a glimpse into the intricacies of design from both countries.
There will be a specially curated fashion show too, which will see models walk the ramp wearing weaves designed by Chimmi Choden’s CHIMMI House of Design. Tamang will present an exclusive line of outfits from her eco-friendly label CDK.
Elaborating on the fashion element of the festival, Tamang said: “Bhutan and India’s design traditions are closely linked. Our shared history has inspired designers across both nations… My collection will be a mix of traditional Bhutanese designs, created using an amalgamation of both Indian and Bhutanese fabrics.”
Abraham & Thakore will exhibit their contemporary designs and present their interpretation of traditional Indian textiles at the specially curated fashion show. The collection will focus on designs created by the two for the 2016 Rajasthan Heritage Week. Their line gives khadi a modern spin and encourages its use as a central fabric for modern designs.
In a joint statement, Abraham and Thakore said: “It is encouraging to see that handloom fashion is one of the threads that ties India and Bhutan together.”
There will be discussions around global evolution of textiles and design traditions too. The festival will also host a unique exhibition, titled ‘Handmade in Rajasthan’, curated by Prasad Bidapa that will celebrate the indigenous craft forms that give Rajasthan its distinctive identity.
Mountain Echoes literary festival is an initiative of the India-Bhutan Foundation, in association with India’s literary consultancy Siyahi.Read more at:formal wear sydney
Combining high fashion with sport, nearly 50,000 racegoers marked the 120th anniversary of Africa’s biggest horse race on Saturday at a packed course in the South African coastal city of Durban.
The annual ”Durban July” handicap race attracts one of the continent’s most fashion-conscious crowds, with the trackside glamour and party atmosphere often threatening to overtake the horse action.
”Me and my friends always come here for the entertainment and fashion, we know nothing about horses and betting,” said Thina Thusi, a 31-year-old public relations manager from Johannesburg.
”We usually start planning for this day from February – the clothes to match perfectly, plus travel arrangements and entertainment,” she said. ”It requires a lot of money.”
The race, held at Greyville racecourse on the first Saturday of July, traditionally attracts a host of South African celebrities and politicians keen to be seen at one of the country’s biggest social occasions.
President Jacob Zuma is usually a regular at the race, surrounded by loyal ANC party supporters and wealthy business leaders who pay thousands of dollars for access to the powerful elite.
But the ANC held a major conference in Johannesburg this weekend, keeping Zuma away and depleting the political contingent at the track.
Among the crowds was renown fashion follower Finance Minister Malusi Gigaba, as well as Bongi Ngema, who is one of Zuma’s four wives, King Letsie III of Lesotho and many television personalities.
‘A national day’
For fans, the race combines a fun betting opportunity with old-world charm and South Africa’s exuberant modern social culture.
”Everyone wants to be at the Durban July, It’s like a national day, the country comes to a standstill,” said Gill Mostert, spokeswoman for Gold Circle, the country’s racing and betting company.
”Fashion has always been a big part of the Durban July, even in the 1900s. People of all ages, even grannies from old-age homes, set out to dress well and have fun.”
This year’s theme – The Colour of Magic – saw participants experimenting with multi-coloured outfits and outlandish hats, vying for best-dressed prizes.
Ladies in high heels and men in tuxedos and designer suits paid limited attention to the horses, as champagne and buffet lunches were served in dozens of plush marquees lining the trackside.
As live music drifted across the course, models dressed by top South African designers such as Terrence Bray sashayed down makeshift runways at several fashion shows.
The first recorded race event in South Africa took place in 1802, since when the sport has developed into a major gambling draw.
Saturday’s 12 races were expected to attract 200-million rand ($15 million/13 million euros) in bets from punters nationwide.
According to Imagine Racing magazine, a win in the race ”places a horse in an elite group of equine champions and paves the way for a potential stud career.”