We all take style inspiration from different sources. Everything from politics and culture, to fame and the media has the power to change what we wear — but who are the female icons that have truly transformed how we dress?
Pinpointing the moment a style leapt from the side-lines into mainstream fashion is near impossible. However, sometimes, all it takes is the drive and power of a single female icon to create a revolution. Check out the leading women fashion influencers and find out how to bring their iconic trends into 2018.
Mary Quant and the miniskirt
The miniskirt is one of the greatest icons of the Swinging Sixties and British designer, Mary Quant, was the sole driving force behind it, taking it from alternative to mainstream almost immediately.
Although experimenting with the short hemline much earlier, it was around 1964 that she started creating miniskirts — named after Quant’s favorite car — in her London boutique. Sitting around six or seven inches above the knee, the style was revolutionary at a time when young women were still expected to dress like their mothers.
Soon, the garment went global and was worn by 1960s’ icons including Jean Shrimpton, Goldie Hawn and Jackie Kennedy. During the 1970s, the popularity of the miniskirt waned. However, rock legend, Debbie Harry, brought it back in true PVC style, before Madonna put her own tulle-embellished stamp on it at the 1984 MTV Video Music Awards and 1990s’ girl Britney Spears took it in a fresh direction with barely-there cropped tops.
The miniskirt came at the ideal time — during a decade hallmarked by emerging youth culture and sexual freedom for women. Often considered a symbol of female rebellion against the status quo of fashion, the miniskirt is still causing controversy today in certain religions and countries.
Get the look:
Skorts are big in 2018 — so why not go for this style and infuse your current wardrobe with the 1960s? Alternatively, try a frill mini skirt with a cute cami for an interesting outline, or rock an embroidered denim number with a cold-shoulder top when the spring-summer season gets underway.
Audrey Hepburn and the LBD
There are hundreds of famous film costumes, but few carry the legendary status of Audrey Hepburn’s Breakfast at Tiffany’s number. Released in 1961, the opening scene depicted Hepburn in a stunning, black Givenchy dress with elbow-length gloves and pearls eating a croissant on the morning after a big party is a beloved part of Hollywood history.
However, the LBD was first launched in the 1920s by Parisian designer, Coco Chanel. Featuring on the front cover of Vogue in 1926, it was labelled ‘Chanel’s Ford’ which was testament to its simplicity and accessibility.
“Black wipes out everything else around,” said Chanel about the design, and it appears that fashionable women feel the same. The vision of Holly Golightly — Hepburn’s character — revived the high-fashion style and brought it to the attention of fashion-conscious, 1960s’ women who wanted to look effortlessly elegant at a time when women were beginning to be encouraged to think that way.
Interestingly, Hepburn’s original LBD was much shorter, but the film bosses of the time felt it showed too much of her leg. Consequently, costumer designer, Edith Head, amended the design, which sold at auction for £467,000 in 2006.
From the frenzy-creating LBD worn by Princess Diana in 1994, to the LBD donned by Kate Moss to mark a decade with Rimmel London; this symbol of simple sophistication is an obligatory part of female fashion — and Hepburn propelled it into mainstream consciousness where it remains.
Get the look:
This look is timeless and no matter which style you go for, you’re going to look incredible. This is your opportunity to rock whichever cut and length you feel most comfortable in. Love figure-hugging styles? Get a bodycon occasion dress. Prefer undefined silhouettes? Go for a tunic LBD. Need something truly sensational for a special evening? Opt for a floor-length, fishtail design for classic glamour.
Marilyn Monroe and the cocktail dress
Screen icon, Marilyn Monroe, is still renowned today for her on-screen persona, off-screen romances and unforgettable fashion choices. But when it comes to style, what made Monroe an icon?
Monroe, born Norma Jeane Mortenson in 1926, defined what it was to be sexually attractive and made it acceptable in an era when women were still encouraged to dress modestly. While most ladies naturally opted for blouses, long skirts and high necklines; Monroe showed the world how to wear clothes that showed off your body in an attractive way — and the best example of this was the famous white cocktail dress.
In 1955, Monroe wore the unforgettable ivory dress for production of The Seven Year Itch. You may not have watched the film, but you’ll certainly recognize the now iconic scene where air blows up from a subway grate and lifts the skirt of Monroe’s frock, as she playfully tries to push it back down — an example that perfectly defines how Monroe contributed to fashion.
This famous backless dress featured a daring halter-like bodice with a plunging neck and bare arms — a far more risqué design than many 1950s’ women were used to. Similarly, the sheer, strappy dress featuring more than 2,000 crystals that she wore to sing “Happy Birthday” to President John F. Kennedy in 1962 again displayed Monroe’s ability to create an attractive silhouette while fusing sex appeal and high-fashion.
The most popular sex symbol of the 1950s, many attribute the invention of the term and definition ‘bombshell’ to Monroe. Her curvaceous figure and ability to exhibit it with class and style today makes her one of fashion’s most celebrated icons. Soon after her death in August 1962, we saw the rise of miniskirts and knee-high boots — both styles that helped women break free of humble fashion during the Swinging Sixties.
Monroe embraced the power of femininity and did not conform to the modest trends of the 1950s, instead fusing her attractiveness with fashion to create an alluring, elegant, feminine appeal and encouraging other women to do the same. Perhaps today, we could even thank Monroe for 2018 fashion-favorites like figure-hugging bodycon dresses, backless jumpsuits and strapless tops.
Get the look:
There are plenty of styles around today that can help you channel the confidence and glamour of Marilyn Monroe. Bodycon dresses will give you an enviable silhouette by flaunting every curve, while Bardot tops allow you to show some shoulder and halter-neck jumpsuits look amazing with a pair of heels. Strapless, fishtail dresses are the ultimate in Hollywood glitz, and anything with metallic or diamante embellishments will help you shimmer like the blonde bombshell herself. Make sure to finish off your look with pretty pieces of jewellery, too.
Cher and bell bottom trousers
Before the 1960s, bell bottom trousers were most widely associated with the British and United States Navies. However, the rise of the multi-talented singer, actress and fashionista, Cher, was the driving force behind bell bottoms — potentially the most iconic of all 1970’s styles.
She is credited with popularizing the clothing style on both sides of the Atlantic — from the 1965 episode of Beat Club when she sang ‘I Got You Babe’ in flared trousers, to the end of her three-year run on The Sonny & Cher Comedy Hour in 1974 where she donned the trouser-style throughout.
Looking back from 2018, many of us consider the bell-bottom jean — which were typically flared from the knee with an opening of up to 66cm — a product of the hippie movement. However, Cher brought the style into mainstream fashion via her fame and influence in TV, radio and film; encouraging men and women alike to adopt the style and aiding the fusion of gender-less fashion styles.
Get the look:
Bring the 1970s into 2018 by replicating these famously wide cuts. Think bell bottom jeans are too retro? Go for a pair of black palazzo pants and match with a cropped top and heels for a stunning, going-out look with just a hint of nostalgia. Or, pull on a pair of nude culottes and team it with a floral Bardot top for the perfect boho, 1970s vibe for drinks and food with friends.
There are countless more fashion icons that we and women before of us have used as a source of inspiration when it comes to dressing. They have paved the way for iconic women to be seen as trailblazers who make a statement, and create space for future generations of women to do the same.Read more at:formal dresses online australia | cheap bridesmaid dresses
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Evening dress is the formal dress that wears after 20:00 at night, it is the highest class, the most characteristic, full display individuality dress style in the lady’s dress. It’s also called evening dress, dinner dress, dance dress. It is often used to match the clothes of shawls, coats and cloaks, as well as colorful decorative gloves.
Traditional evening dress style: emphasize female’s slender waist, exaggerated buttock below the weight of skirt, shoulder, bosom, arm fully reveal, leave expression space for luxuriant jewelry. Such as: low neckline design, with strong decorative design to highlight the noble grace, give priority to with Mosaic, embroidery, get a department fine plait, luxuriant lace, bowknot, roses, give a person with classical, orthodox clothing impression.
Traditional evening dress fabric: the purpose of the evening communication is to cater for the luxurious and warm atmosphere at night, and the material selection is a few gorgeous and noble materials such as mercerized fabric and flash satin.
Act the role ofing is tasted
Choose pearls, sapphires, emeralds, diamonds and other high quality accessories, or artificial gems.
If the toe is exposed, it needs to be modified in sync with the facial and hand makeup.
Exquisite refined, choose patent leather, soft leather, velvet, more gold and silver silk blended materials, with Mosaic, such as embroidery, weaving technology combination, magnificent, romantic, delicate, elegant is a characteristic of evening dress with package.
Make up more
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Build an older person — a natural wardrobe, and any type of dress can be tried, especially with a fish-tailed wedding dress.
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One evening in September, under a gray Paris sky, the American designer Rick Owens considered the possibility of a springtime utopia. An audience of editors, retailers and friends-of-the-design-house gathered around the fountains at the Place du Trocadero. Owens, a die-hard fashion poet, sent models parading around the city’s landmark stone plaza, down its elegant staircases and alongside the shallow pool where towering jets of water splashed a fine, refreshing mist over the audience.
The clothes, his spring 2018 collection, came in shades of cumulus white, dove gray and grass green. They were draped and wrapped around the body in ways that were both abstract and practical. The models also wore athletic-style sandals with thick rubber soles that made them seem grounded in reality even if their clothes made them look otherworldly. Their hair was just there, not particularly styled, just barely combed. Their faces appeared makeup-free.
According to Owens’s show notes, the story of the collection was “experimental grace and form.” The clothes were meant to symbolize the rejection of day-to-day bleakness: environmental peril, social intolerance, cultural wars, political upheaval. And the presentation was intended to transport the viewer outside the strident new normal and into a misty heaven.
Owens wanted to explore the question of whether it was possible for imperfect people to create a utopia. Can flawed humans build a perfect world? Do our better angels still have a voice in these tumultuous and bitter times? Does the arc of the moral universe really bend toward justice?
The presentation may have been steeped in no small amount of pretentious esoterica. But Owens also offered his audience something valuable: an emotional release and a mental distraction. He turned the collective gaze upward, toward optimism and hope. If only for a season.
Owens’s work was emblematic of an industry shift — not titanic, but subtle and by a matter of degrees. Fashion designers have stopped moping around and stomping their feet. They’re getting on with it — with living, with pressing forward.
In the past few seasons, designers’ collections had been overwhelmingly informed by the political upheaval roiling both the United States and Europe — and indeed the world. The runway was the site of anger and frustration wrapped around immigration, LGBTQ rights, women’s rights, refugees, environmental calamity and on and on and on. Fashion designers, many of whom use their work as a form of artful communication, were resisting and protesting and, in some cases, simply howling into the wind.
The resulting collections weren’t bleak, but they were often serious and sometimes even melancholy. Designers put organizers of the Women’s March on the runway. They highlighted slogan T-shirts exhorting us to all be feminists. They styled models in pussy hats as well as face masks — taking their inspiration from anarchists and antifa.
But it’s a hard thing to stay on high alert with no end in sight. So starting last fall with the spring 2018 shows, there has been an about-face on a lot of runways, with less proselytizing and more poetry. Designers are treating their work as an existential escape from the fire and the fury. The clothes of spring evoke positivity and pleasure by relying on familiar tropes: sweet flowers, pastel colors, sparkly embellishments, comforting shapes and — thanks to Balenciaga’s Crayola-bright platform Crocs — pure comedy.
For some designers, this has meant simply being more emphatic about what they have always done. If they had offered up meringue and sugarplums in the past, for spring they offered up little mermaids and unicorns. That’s what Thom Browne did — incorporating the soundtrack from the Disney film “The Little Mermaid” into a Paris runway show that ended with an enormous unicorn puppet meandering through the audience.
Other designers have been uncharacteristically jubilant. Junya Watanabe sent his usual array of punk models down his Paris runway with their hair gooped up with wax and shaped into gnarly spikes. Sharp dog collars encircled their necks. Black kohl was streaked around their eyes, and they were not smiling. The styling flourishes were pure Watanabe, a designer who revels in the simmering rage of the punk aesthetic and who regularly allows it to inform his work. But this time, instead of pairing their wrecked hair with torn fishnets and distressed concert T-shirts, the models wore skirts, dresses and tops cut from Marimekko fabric, with its childlike oversize flowers. The palette was predominantly black and white, but it was spiced with bright strokes of fuchsia or lime green. Watanabe had taken a break from his usual brooding.
At Valentino, the designer Pierpaolo Piccioli transformed the basic, utilitarian anorak into a visual treat that evoked the light, airy fragility of spun sugar. On Piccioli’s Paris runway, jackets, adorned with twinkling, crystalline paillettes, were so removed from practicality that they had become something wholly new and fresh. Just looking at them could spark a wide-eyed smile.
Dries Van Noten delivered a garden of flowers in the ornate central salon of the Hotel de Ville. Chanel’s Karl Lagerfeld built an indoor waterfall at the Grand Palais and crafted clothes that called to mind the shimmering foam floating atop crashing waves. And in February in New York, Ralph Lauren shared visions of a Jamaican getaway.
Daydreams. Sweet dreams. Distractions. “We always say that fashion is a reflection of our times,” Van Noten told Vogue. “Well, maybe that’s enough of that! Let’s do something optimistic, enjoy things — and really go for it!”
The goal of all these clothes is not to stir the mind but to soothe the soul. Fashion has given in to one of its most fundamental purposes: to bring the wearer joy. To delight and amuse. To open a door and invite you to escape. Sometimes, that role seems silly or superfluous. But today, in this gloomy era, it has arguably become essential.
In dark times, people have always yearned to escape. They want a reboot to normal, a return to happier days as quickly as possible. Doing so too swiftly can feel like callousness, denial or narcissism. But our leaders have regularly — and rightly — reframed a speedy and urgent hunt for joy as a show of strength, as well as a survival tactic.
These were lessons learned during World War II. Not long after war was declared, Britain shut down many of its cultural institutions. But the National Gallery in London was allowed to host lunchtime concerts where people could spend an hour or so listening to Bach and Mozart. Would people come? Would it be viewed as a welcome distraction or a frivolous gesture? When people heard about the concerts, the line for tickets trailed across Trafalgar Square and disappeared around a corner.
People craved music. They were hungry for a few moments of pleasure. They yearned for beauty. They didn’t simply want to survive the war; they wanted to live while it was being fought.
In her 1998 book, “Hope in a Jar: The Making of America’s Beauty Culture,” historian Kathy Peiss explored the role fashion played during the war years. Fashion was intertwined with patriotism and national honor. “In the wake of the Depression and rise of fascism, the attractive, made-up woman of the 1940s bespoke the ‘American way of life’ and a free society worth defending,” Peiss wrote.
Seen through the lens of 2018, the 1940s idea of the gussied-up American woman as a symbol of national honor is a cliche, a sexist trope, the worst kind of self-defeating burden — an absurdity. But that was then. It was a time when women’s roles were still etched in patriarchal traditions and a woman’s life was limited. Her sphere was the world of fashion and beauty.
Beauty manufacturers used these notions to market their products, and journalists worried that a “national glamour shortage would seriously lower national morale,” Peiss wrote. Lipstick became evocative of glamour and sex appeal. Cosmetics became a tool for creating the precise face one wanted to show to the world. The made-up woman was a woman who was girded for battle — whether literal or metaphorical.
During the war, as women entered the workforce and took on duties once consigned to men, the old ways were upended. Gender roles were in flux. Fashion was a form of security, uplift and reassurance in a time of uncertainty. A pretty dress, a bit of red lipstick, silk stockings were all links to a life that seemed to be slipping away; they held out a promise that it would not be lost — at least not completely.
Everyone, however, did not see a fashion diversion in positive terms. In light of all that was unfolding in the world, some deemed it silly and petty for women to concern themselves with stockings or lipstick. Peiss underscores these tensions by pointing to an exchange that unfolded in the pages of the New York Times between author Fannie Hurst, who often wove social issues such as racism and feminism into her fiction, and a lipstick-loving reader. Hurst, wrote Peiss, criticized the “frivolous, self-absorbed women who tarried in beauty salons and complained over shortages of silk stockings and makeup.” A new era was dawning for women as they entered the workforce and took on roles once reserved for men. “The history of their role in this desperate struggle will not be written in lipstick,” Hurst noted.
But the reader — who described herself as a “red-blooded, red-lipped” housewife — was not keen on Hurst’s condescending dismissal of the importance and power of fashion. Her argument, as summarized by Peiss, was that “American women’s brave response to the national crisis was not diminished but enhanced by reasonable attention to appearance. Beautifying showed ‘women’s own sense of pride’ and respect for the men ‘we try most to please.’ [The reader] asked, ‘Would we help them more if, when they are about to perish for freedom’s sake, we showed ourselves to them worn with sorrow and dejection?’ ”
After the Sept. 11, 2001, terrorist attacks, the country struggled with competing emotions: anger and sorrow, as well as a longing for reassurance that it would soon be easy and appropriate to laugh and to smile. How quickly could the late-night comics return to television? Is there humor to be mined from the widespread horror? And the fashion industry wrestled with its own post-9/11 fears — namely, would anyone ever be interested in looking at cheerful frocks again?
Americans were encouraged to carry on with life, to indulge in the activities that brought them joy, because doing so was a way to fight back and to refuse to allow terrorism to dismantle our lives. Making fashion, producing runway shows, shopping for nonnecessities were all an acknowledgment that living entails more than breathing, eating and sleeping. The basics sustain life. The extras allow us to live fully.
Today, we are not engaged in trench warfare; Ground Zero is no longer a gaping hole. But the culture is shaken nonetheless. The battles are via drones and cyber hacks, on Capitol Hill, in the public square, across the backyard fence and in Twitter threads. We stand on opposite sides of gun rights, climate change, immigration, globalism, the Mueller investigation, President Trump. And what about the hurricane damage to Houston and the power outages in Puerto Rico? And don’t forget the DACA kids.
Because so much is happening that is awful, depressing and confounding, there is a worry that if one turns away from the gravitas, even for a moment, all hell will break loose. You will have failed your fellow man. If you indulge or escape, you are uncaring. You are awful. Listen to some soothing classical music if you must. But do it while volunteering with Habitat for Humanity. And fashion? Sheesh.
Recently, an especially agitated Washington Post reader emailed me about a story on Paris runway shows. She judged escapist fashion thusly: Not only is anyone who is willing to wear such folderol a fool, that person also is committing social malpractice. The time and resources that go into unicorn puppets and embellished anoraks should be devoted to saving the world.
But before people save anyone else, don’t they have to save themselves? In fact, happy fashion can be mental salvation — and perhaps it can even alter behavior. We already know that what we wear can shift our moods — the fashion industry has dubbed this “dopamine dressing” — but in 2012, scholars Hajo Adam and Adam D. Galinsky published a study in the Journal of Experimental Social Psychology suggesting that clothes can also have a measurable impact on our judgment, analytic skills and actions. It’s something they described as “enclothed cognition,” the combined effect of the clothes’ symbolism along with the physical act of wearing them.
The researchers used a white coat in their experiment, alternately referring to it as a doctor’s coat and a painter’s coat even though the coat itself never changed. For the test subjects, the former description implied scientific precision and focus; the latter suggested freewheeling creativity. When research subjects slipped on the doctor’s coat, they scored higher on tests that required rigor and sustained attention than subjects who were told they were wearing a painter’s coat.
Simply looking at the doctor’s coat and processing its symbolism was not enough to heighten the subject’s attention to detail. Seeing the doctor’s coat on someone else didn’t cut it either. The coat had to be personally worn. Once the subjects were wrapped in the semiotics, their brain functioned differently; their behavior changed.
“Does wearing the robe of a priest or judge make people more ethical?” the researchers wondered. “Does putting on the uniform of a firefighter or police officer make people act more courageously? And, perhaps even more interestingly, do the effects of physically wearing a particular form of clothing wear off over time as people become habituated to it?”
“Answering these kinds of questions would further elucidate how a seemingly trivial, yet ubiquitous item like an article of clothing can influence how we think, feel, and act,” Adam and Galinsky wrote. “Although the saying goes that clothes do not make the man, our results suggest that they do hold a strange power over their wearers.”
There is evidence — just a bit — that fashion has the potential to help us effectively change how we act. Could wearing happy, optimistic clothes make us slower to presume the worst about our fellow humans and also more inclined to reach across the political aisle? Maybe.
But even if that’s too much to expect from a floral dress or a bedazzled anorak, fashion still has immense value as a distraction from mental anguish, psychic despair and cable TV overload. Research has shown that video games can distract patients from pain or anxiety and aid in healing. Music distracts athletes from their discomfort and helps them remain committed to their workouts and enhance their performance. Distractions can function like a mental timeout, allowing people to return to a difficult task — or a dire situation — with more energy and focus. And in our polarized world, the mental equivalent of a deep breath certainly couldn’t hurt.
Fashion exists not because it is essential to life but to make life better. Women buy the Valentino dress because the dress is pretty and it makes them feel pretty, too. Men buy the limited-edition Air Jordans or the Off-White motorcycle jacket because they are cool and that aura of cool transfers to them. People buy the red Chanel lipstick because it is timeless glamour for $37, and a classic Chanel jacket is a whopping $10,000, and the lipstick comes with a hint of the fantastical waterfall that flowed in the Grand Palais.
People come for the magic. They are drawn to fashion’s promise that it will introduce a more attractive, charming, confident, powerful, intelligent, alluring or rebellious inner you to a world that seems intent on underestimating the person you are. Fashion pledges to make you seen and valued. It vows to change everything in wondrous and glorious ways. And even though fashion falls terribly short again and again, people come back. They come back despite themselves. Because it’s not the fulfillment of fashion’s promise that they long for, it’s the promise itself.
The fashion industry understands the power of its dreams and fantasies. Designers weave narratives that are meant to take you outside of your reality. But unlike a film or a painting that can only linger in your memory, you can take fashion with you: to the office, to dinner, on vacation, to the gym. You can wrap yourself in it, and it can be protective armor, an alluring force, a weapon or a grown-up version of a binky.
Six months after Rick Owens dreamed of utopia, designers have turned their eyes toward fall 2018. If anything, the clothes way off in the distance are even more vibrant, more urgently joyful than the ones arriving in stores. In particular, there is more color coming, colors that one wouldn’t ordinarily consider complementary. They are not the typical earthy hues of autumn. There are shades of mint green paired with sea-foam green. Pale pink mixed with flashes of lemon yellow. Cherry red and turquoise. Caramel and taxicab yellow. The swirling palette conjures an alternative world — an Oz in which everything burns brighter, shinier and sweeter. A Xanadu, an Eden. An escape.Read more at:plus size formal wear | short formal dresses australia
(Photo:formal dresses melbourne)Recently revived by Maria Grazia Chiuri for the Dior fall/winter 2017-2018 fashion show in 2017, the beret is fashion’s latest must-have headwear. As well as being brought back to the forefront of fashion by several designers, the beret has also been spotted in the wild — and not just in France. Indeed, it has been rocked by some of fashion’s most stylish icons. Still, it’s important to strike a balance when working a beret into a look, so as not to fall into the trap of clichés. Here’s some inspiration from Bella Hadid, Sara Sampaio and Chiara Ferragni on how to wear a beret with style.
Wearing a blonde wig while enjoying some downtime with friends, Bella Hadid rocks a refreshed, loose-fitting beret, bringing a retro touch to her casual-chic look. It’s a great combination for the Dior ambassador, who is regularly seen sporting hats of all kinds. In fact, this isn’t the first time that the American supermodel has been seen rocking this year’s hottest headwear — she was snapped last fall wearing a stylish leather beret.
Style icon, influencer and businesswoman Chiara Ferragni was seen rocking a beret, matched with sophisticated attire, at Paris haute couture week. Beyond the retro touch, the hat makes a chic and feminine addition to the Italian blogger’s outfit. She wore the iconic accessory again to the Dior show, embellishing it with a violet for the occasion.
Model-turned-actress Cara Delevingne made a very noteworthy appearance at the latest Dior fashion show in February, pictures of which were seen all around the world. Dressed head to toe in iconic pieces by the French fashion house, the star rocked a masculine-feminine style capped with a Dior beret.
In a different style, Portuguese model Sara Sampaio was snapped wearing a beret as she prepared to jet out of New York. The beret adds a chic detail and a refreshing twist to her casual outfit of jeans, a top and a shearling jacket. The model pulls out all the stops to stay stylish while traveling.
Winnie Harlow — another fan of hats — has also been an early adopter of the beret, a French style classic. The Canadian model stands out with a bright red beret featuring a logo. The accessory is a perfect match for the red details on her vinyl parka, adding the finishing touch to a stylish and sexy look.Read more at:formal dresses online
Diamonds make a fashion statement beyond “I’m engaged.” Discover diamond jewelry trends and styles that can drive your next fine jewelry purchase.
If you think diamonds are just for engagements, weddings and anniversaries, it’s time to think again. Fine fashionable diamond jewelry is a wonderful choice, and diamonds come in a variety of shapes, sizes, cuts, and colors. But because diamonds are so often associated with the romance and symbolism of lives joined together forever, it can be hard to break free of the idea that diamonds are anything other than marriage gifts.
But that’s no reason to remove such an absolutely gorgeous gemstone from your options of gifts for others or for yourself. Jewelry fashions are constantly changing, and designers keep finding new and interesting ways to incorporate diamonds into their work.
A great way to wear a diamond ring that doesn’t compete with your engagement ring is to sport a completely different style or add some color.
A strong case can be made for “anytime” diamond purchases when you approach it from the concept of style and building your jewelry wardrobe.
Making a style statement
It wasn’t all that long ago that diamonds were usually either solitaires in a setting or accents to other gemstones. But designers have learned to enhance the beauty of larger diamonds in countless mounting choices and a variety of metals, including platinum, silver and all colors of gold.
You can make a fashion statement with diamonds by taking advantage of colors other than white, either alone or mixing. A ring, necklace or bracelet that mixes black and white diamonds creates a focal point. Yellow diamonds, alone or paired with white, are both totally on-trend and effortlessly classic. A mix of brown and white pavé diamonds in a rose gold setting is warm and wonderful.
Companies are creating exciting fashion settings in modern to heirloom-style looks. You can find chic new designs that take their influences from Georgian, Victorian and Edwardian times, as well as Art Nouveau and Art Deco. Also, fashion houses and designers have partnered with diamond companies to develop designer jewelry in both bridal and fashion lines. So if you have a favorite designer, you’ve got an easy go-to for engagement rings, wedding rings and beyond. (Go figure: They discovered that once we love a jewelry brand, we often stick with it.)
There are many ways to make fine diamond jewelry the perfect gift for any occasion. With earrings at the core of nearly every American woman’s jewelry collection, classic diamond hoops make a beautiful selection. Other classics to consider include diamond studs, the tennis bracelet and large diamond cuffs with solid pavé or openwork.
Contemporary- and modern-style designs expand your choices exponentially. How about celebrating the swan-like neck of a thoroughly modern woman with a 22-inch pendant necklace?
You’ve got two hands
A diamond ring doesn’t have to be — or look like — an engagement ring. Some women are concerned about taking the focus off of their engagement rings: Will people be confused if I wear another diamond with it? A great way to wear a diamond ring that doesn’t compete with your engagement ring is to sport a completely different style or add some color.
Is your engagement ring modern? Then how about a vintage-style ring? Art Deco’s linear and symmetrical style complements more modern designs. For something more “fashion-y,” you might try a diamond ring that hits a trend that’s also a classic look, such as color-blocking black and white. That ring with black and white diamonds makes a bold statement that works with your strong black and white fashions, yet will never go out of style and can be worn with just about everything else. Have a favorite color? You can find diamonds in yellow, green, blue and purple.Read more at:www.queenieau.com | bridesmaid dresses australia
(Photo:formal dresses melbourne)As a first-generation Indian American, Nila Chakraborty of Plymouth has turned her passion for fashion into an online boutique, bringing lavish Bollywood-style formal wear right to customers’ doorsteps.
Before launching ShopBollyWear two years ago, Chakraborty was a part-time wedding planner for the Indian community, a side gig she began while working full-time in finance.
“After I got married with my husband, a lot of people started calling me,” she said. They wanted to know where she got her outfits and jewelry for her traditional Indian wedding.
Her family immigrated from India when she was 2 years old. “We grew up watching a lot of Bollywood movies, going to Indian parties, dressing up when we would go to weddings,” Chakraborty said, adding that it was very much a mixture of eastern and western cultures.
Describing herself as “a little fashionista,” Chakraborty enjoyed dressing up, wearing bright and colorful clothing with matching accessories.
“I just loved Indian fashion,” she said, adding she emulated Bollywood movies, which were very “rich and lavish” as they portrayed the latest fashion trends in India, from makeup to the clothing and jewelry.
Weddings were also very colorful and bright, requiring a variety of outfits for the four to eight days of festivities.
As a wedding planner, Chakraborty witnessed the great lengths her clients would go to in order to acquire Indian festival-wear.
Pre-internet, people would either travel to India to purchase the items or have a family member “curate it for you and bring it back,” she said, “and sometimes, you wouldn’t like it.” Shipping the items to the U.S. could also take months.
In 2012, she says the entrepreneurial light bulb turned on, lighting the way to create an e-commerce store that would “bring this [fashion] to the footsteps of the Asian population,” a niche market as the Indian population began to grow in America.
In March 2016, Chakraborty launched the online boutique for clothing and fashion for the whole family that celebrates the Indian tradition.
In addition to providing a service to her customers in America, “We also wanted to help women back home,” Chakraborty said, by creating jobs for the rural women, whose main source of income is weaving fabrics.
On her website, customers can choose from 3,000 to 5,000 products. It’s a one-stop shop for good-quality, reasonably priced clothing for the whole family, she said.
Among the items are a variety of styles of sarees, a female garment from India consisting of five to nine yards of fabric that can be wrapped in various styles.
Her inventory consists of more intricate and artistic sarees that are harder to find in the U.S., she said, such as the kalamkari, an ancient style of hand-painting on cotton or silk.
Kalamkari prints are in a variety of shapes and patterns, many of which tell the story of the Hindu religion, she explained.
“People want to look and feel their best at all events, and ShopBollywear is there to help them do that–feel like a Bollywood star,” she said.
With many customers not wanting to be repetitive by wearing the same outfit twice, Chakraborty’s next business venture is to launch TradeBollyWear, in order to provide an online platform where customers can buy previously worn formal wear.
Now, Chakraborty runs a full-time business, helping people to look their best for those special occasions. “It’s fun,” she said. “You’ve got to find your passion in life … I found my passion.”
Because of her passion and achievements as CEO of the online venture, Chakraborty has been named a 2018 Women in Business honoree by the Minneapolis/St. Paul Business Journal. She is among 47 women being recognized “for their professional achievements, leadership and contributions to the broader Twin Cities community.”
“Starting my own business in an area I am passionate about has been my lifelong dream and being honored and recognized in the Journal means a lot to me,” she said.Read more at:cheap formal dresses
Poet and playwright Oscar Wilde once said that “life imitates art far more than art imitates life.” The meaning of this profound statement is that we as humans don’t appreciate the beauty of things until they are highlighted by an artist. This observation couldn’t be more relevant to the world of fashion. Artistic designers create something that the rest of the world observes and adapts.
Dance has long been a form of inspiration for fashion trends and continues to be a beautiful marrying of music, fashion, and physical and emotional expression through movement. Here are four different styles of dance you can take fashion inspiration from, to create your own expressive style.
Hip-hop is a collection of iconic movements grouped under one title that binds them together. Generally speaking, the music is upbeat with a strong rhythm and features styles like krumping, popping, locking, breakdancing, and more. Hip-hop as a recognized style of dance dates back to the late 1960s but adopts movements from far before that time.
In terms of fashion, hip-hop style is meant to be low-key and allow for lots of movement. The style is versatile, allowing wearers to add their unique flair. Harem pants, which are jogging pants that are loose around the top and tight near the ankles, are a staple for modern hip-hop dancers (you can get your own pair atwww.justforkix.com/discount-dance). Wide-brimmed hats, loose shirts and hoodies, and cropped tops are also must-haves for this genre.
Fashionable ballerinas date back to the days of the Renaissance in Europe, during a time when ball gowns, masks, and wigs were expected attire for any prolific event. Elegant, gauzy fabric, form-fitting bodices, and luxurious silks were key components to these dance costumes at the time. While the style evolved, the traditional elements are still strongly featured today.
To channel your inner prima ballerina, wear ballet flats, leggings, athletic tank tops or corset-style tops, tulle skirts, and gauzy cardigans and shawls. For the cherry on top, add a stylish sock bun to pull the look together.
Contemporary is a more modern take on many classical dance styles and has become the most popular forms of dance among professionals. With elements of ballet, modern dance, and infusions from other cultures around the world, contemporary dance is powerful and moving for both participants on stage and in the audience.
Like ballet, form-fitting and gauzy fabrics are prevalent. However, the trick to rocking the contemporary look is making it unique and eye-catching. Asymmetrical cuts, high-low skirts, keyholes and cutouts, and layers create a multifaceted, ever-changing ensemble.
Flamenco is a genre of dance originating in ancient Spain, when the Roma people migrated, bringing with them an array of instruments. The mix of the Roma instruments and artistic culture of the Spaniards resulted in what we now know as Flamenco. This type of dance is also prevalent in modern Latin America, as a result of further migration to the Western hemisphere.
To capture the essence of Flamenco in your wardrobe, look for dresses with vintage cuts; bodycon, curve-accentuating, and boldly colored. Ruffles are a must on skirt hems and maxi dresses, while puffy sleeves also add a nice touch. Pull the look together with a pair of closed-toed heels with an ankle strap. You wouldn’t want your shoes flying off while you dance, would you?
Dance Through Life
By adding various elements of the arts into your wardrobe, you pay tribute to those who introduced these forms of artistic expression to the world. While finding the perfect pair of shoes certainly wasn’t what Oscar Wilde was thinking when he wrote his essay, “The Decay of Lying” the gesture can’t hurt.Read more at:formal wear sydney | cheap formal dresses australia
In a city where puffer jackets and hoodies are the fog-fighting outerwear of choice, fur has suddenly become the talk of the town.
San Francisco became the largest city in the country to ban the sale of new fur, following West Hollywood in 2011 and Berkeley in 2017, when the Board of Supervisors voted unanimously in support of a measure on March 20. It would go into effect in January 2019.
The reaction from the city’s social and fashion crowd has been mixed.
“I am thrilled that San Francisco is joining the fur-free movement and taking such a progressive stance,” said Vanessa Getty, a longtime animal-rights advocate who founded San Francisco Bay Humane Friends, and is a member of the Peninsula Humane Society and a board member of Orangutan Foundation International.
“San Francisco is setting a tone of compassion that reflects the strong social conscience of our city,” she said.
Others were less pleased.
“It’s a storm in a teacup,” said former fashion model and Harper’s Bazaar contributor Tatiana Sorokko. “With so many real issues to focus on like homelessness, sanitation issues on the streets, the drop in tourism — instead they focus on this?”
The ban was authored by Supervisor Katy Tang and does not affect the sale of previously owned fur or leather products. It will take effect next year, but merchants will have an additional year to sell off their fur inventory. The ban defines fur products as any article of clothing or accessory, including fur key chains, “made in whole or in part of fur.”
Some women who choose to wear fur in the city were not surprised by the ban’s passage.
“I knew it was coming,” said fashion blogger Sobia Shaikh of San Francisco. She no longer plans to wear her real fur pieces in the city.
Why Rita Moreno shopped her closet for 56-year-old Oscars dress
“Do I own fur? Yes. Do I support the ban? To a degree. I won’t lie and call my real fur eco (faux) fur. I’m not giving it up entirely, but I’ll be more conscious.”
San Francisco has had a mixed relationship with fur in fashion. Fur historically has been a status symbol and staple of affluent women’s wardrobes in the United States. But animal-rights activism in the 1970s and ’80s led to it being less desirable by depicting the plight of animals in fur farms in graphic public campaigns and protests.
Meanwhile, the image of blood-red paint being thrown on fur coats is a cultural touchstone of radical anti-fur activism. For many who lived in San Francisco in the 1990s, memories of protests against Union Square stores that sold fur by People for the Ethical Treatment of Animals (PETA) remain vivid. Whether it’s due to eco consciousness or tepid weather, many agree that fur is worn less frequently in the Bay Area than in cold-weather fashion capitals like New York and Paris.
Nevertheless, attendees at boutique events and gala celebrations regularly wear fur coats and wraps when the temperature dips, or just when they decide the occasion calls for it.
Designer department stores Saks Fifth Avenue and Neiman Marcus, which have dedicated fur salons, did not respond to The Chronicle’s request for comment. But it’s not just luxury department stores that are targeted: Boutiques, specialty shops and discount retailers ranging from high-end Wilkes Bashford and Barneys New York to Macy’s will also be affected by the ban.
Nordstrom said it will “need to review the final language in the ordinance to understand the impacts it may have on our business moving forward.”
San Francisco social figure and fashion blogger Sonya Molodetskaya, who estimates she owns “probably 20 fur pieces, mostly coats and jackets,” does not support the ban.
“I honestly think 11 people cannot make a decision like that,” she said of the Board of Supervisors. “Those people I guarantee never had fur in their lives. I’ve been wearing real fur since I was 2 months old in Russia. We wore it to survive! My mother put me in a rabbit blanket as a baby, but I ended up in sable.”
Molodetskaya doesn’t use high-end fur like mink or sable in her fashion line, Major Obsessions, opting for less expensive Mongolian lamb fur and feathers. She believes the decision to sell fur should be up to businesses, not the city. “It would be a great idea to open up a fur shop outside the city to sell to the women in San Francisco,” she joked.
“I’ll still buy fur in other cities. It’ll be interesting to see how much fur the Palo Alto Neiman Marcus will now carry.”
Camille Bently, the executive director of the Bently Foundation, said that even before she knew about the potential ban she was “disheartened by the amount of fur we were seeing at the social events in San Francisco. … I would cringe every time I got an invite to a fur salon.”
Bently said that the foundation, whose funding emphasis includes environmental and animal welfare giving, is proud to support projects in a city that views the banning of new fur as a priority and believes that it will also open the door to innovation and creativity in the faux fur market.
Getty pointed out that it’s not just San Francisco where the tide is turning against new fur.
“Major fashion houses such as Gucci, Versace, Michael Kors and Furla are no longer using fur in their designs,” she said. “There are so many incredible faux fur options these days.”
San Francisco retailer Chris Ospital of the Modern Appealing Clothing (MAC) boutiques said that she and her brother Ben have never sold real fur in their 37 years in business. Fake furs, with their bright colors and interesting textures, are more interesting.
Georgia O’Keeffe was a source of inspiration for Maria Grazia Chiuri’s first cruise collection for Dior as the label’s ads featuring Jennifer Lawrence can attest. After the Brooklyn Museum’s heralded run of “Georgia O’Keeffe; Living Modern” last year, the Peabody Essex Museum outside of Boston is taking another look at the artist’s disciplined sense of style with “Georgia O’Keeffe: Art, Image, Style.”
For the most part, the Massachusetts exhibition features most of the major designer pieces owned by O’Keeffe including looks from Pucci, Balenciaga, Zoe de Salle, Ferragamo, Marimekko and Claire McCardell, as well as pieces the bespoke tailors Emsley and Knize. And Estrellita Karsh, the wife of the esteemed portrait photographer Yousuf, believes her husband mentioned how the artist wore couture made by Christian Dior. In 1956, Karsh traveled to New Mexico to shoot O’Keeffe. That portrait hangs near the entrance to what used to be her Abiquiu home, which is now a museum run by the Georgia O’Keeffe Foundation.
“She really presents herself in many areas — in women’s rights, women’s independence. Taking herself to the desert and the fact that she was a schoolteacher who came to New York to a gallery that was in itself revolutionary. That was very, very push-the-envelope,” Karsh said. “She crafted her own image and the clothes were part of it. In this sense, the clothes not only made the man, they made the woman, or she made the clothes [making] the woman. So no stylist dressed her.”
Karsh added, “She didn’t have to do this. If she had worn slippers and a nightgown, her art would have been wonderful. But look at what she did with her clothes. Her clothes seemed so carefree, but they weren’t — they were calculated.”
Estrellita Karsh once caught a glimpse of the artist years ago during a salute to Pablo Casals at Carnegie Hall, where “100 cellists from all over the world had dropped whatever they were doing to come in his honor.” Karsh said she told her husband, “Look at this woman. She’s so beautiful.” He said, ‘That’s Georgia O’Keeffe.’…She was beautiful as a person, not a movie star but this was a presence — great energy.”
PEM has reimagined its own version of the artist’s style with a capsule collection. Cape Cod-based designer Brenda Lee created a Georgia O’Keeffe-inspired pleated dress, a wrap style, a black-and-white jacket and a swirl scarf. Lee is owner of the design company Cupcake International and a Barnstable, Mass. boutique called OZ. Lee’s husband Peter O’Keeffe has a distant connection to the artist.
Meanwhile, Karsh through her late husband’s work has a more direct connection to another prominent figure that is back in the popular vernacular – Winston Churchill. Gary Oldman’s Oscar run is helping to reintroduce the younger generation to the former British Prime Minister. Karsh’s 1941 portrait of Churchill is iconic on its own, even appearing on the British five pound note. The image is aptly named “The Roaring Lion.” Karsh described the scenario to Morley Safer of “60 Minutes” how he politely removed a cigar from Churchill’s mouth after Churchill had declined to do so. Harsh then recalled how Churchill told him, “You can even make a roaring lion stand still to be photographed.”Read more at:bridesmaid dresses online | formal dresses brisbane
It’s been a week to the New Year but the party fever doesn’t seem to die down anytime soon. While you plan to head out to party all night long, make sure that your fashion game is on point. Ditch those predictable sequins and glitters this time, and make it avant-garde, with interesting silhouettes and styles. From vintage-inspired looks, oversized outfits, to men wearing mantyhose, this shoot has all that takes to turn one into the center of attention. It’s high time to ditch the regular partywear, and gear up in unmatchable style to rock the party season.
A jumpsuit with exaggerated sleeves is ideal for an out-of-the-box look. Model Veda Hrudya Nadendla looks ready to groove to the beat in this rust-coloured jumpsuit. A high pony with gothic eyes rounds off her look.
Layer it up
Let the spotlight be on you as you step out wearing a trenchcoat teamed with turtleneck and pants. Model Anand Dixit shows how to rock the look with his prim and proper pompadour hair.
The modern metador
Supermodel-turned -actor Karan Oberoi is wearing a 3D jumpsuit with a jacquard overcoat. The asymmetrically cut short pants have been teamed up with mantyhose to enhance the look. The experimental eye makeup perfects the look.
A bright pantsuit is all you need for a chic addition to your party line-up. Model Apeksha Verma is wearing a satin emerald-colour pantsuit with wine coloured kitten heels. Sleek hair with a quiff will add oodles of glamour to the look.
This easy breezy look should be embraced. In this monochromatic shirt teamed with bombers and cropped trousers, model-turned-actor Karan Oberoi looks dandy. And that mantyhose adds a fun element to the style.
Model Preeti looks pretty as a picture in this 3D floral skirt teamed with a leather brassier. With her hair done neatly in old Hollywood-style curls, she looks ready to be the showstealer of any soirée.Read more at:green bridesmaid dresses | blue bridesmaid dresses
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